Return to Blighty and the ‘coldest winter for 100 years’!

It has been a while since I wrote anything for the blog, been a tad busy ya’ see! The transition from India to England is finally complete, and ran as smoothly as could be expected. Needless to say, the weather has been a shock to the system and my body has gone into hibernation mode. There has also been a lot of DIY to do, which stopped me from opening cases and unpacking my design work for the first couple of weeks.Despite all the commotion I now have a working studio and have started unpacking my delights from India. It has been a great boost to the system to reunite with some of the beautiful textiles I purchased on my travels, each one with its own memory and story. Some of them have been earmarked for different projects while others, like my Lucknow rugs, are happily scattered around the house. I have some beautiful pure silk saris from Kanchipuram which I am planning to make into patchwork quilts at some point. I also have the Kanchi cotton scarves, made by the wonderful women at RIDE, as part of our new venture. I have a huge variety of colours which will be available for sale very soon on my website www.emmamcginn.com – they are wonderfully lightweight and soft making the perfect accessory springtime!Even the exotic smells of India have travelled back with me in the form of hundreds of joss sticks and, most importantly, in the two huge bags of Sambar mix (spice mix) made by the wonderful Britto from RIDE and given to me on my last day in India. I have already made three meals using the magic mix and they have all been delicious! So even if I don’t get back to India this year, I know that I will have to go again at some point to stock up on Brittos super spice! Woo hoo!I have a busy time ahead, in the coming weeks I am planning to spend some time on my website (in between DIY of course!) with an aim to get ecommerce up and running. I will also be doing some product shots of the Kanchi scarves so that I can get them online asap and share them with the world! My indigo project is still going on, but I have to very patiently wait for a parcel from India. It is therefore on the back burner at the moment and part of my ability to be patient is the blatant fact that there is nothing I can do to hurry it along. I also have an article to write for Ethical Fashion Forum on Indigo dyeing, it is well overdue but should be a good one once I get it finished. I am arguing the case for using natural indigo in the denim industry – which seems the obvious choice when you understand the harmful chemicals used to produce synthetic indigo.

So a busy time ahead, and I am finally feeling up to the challenge now that spring is round the corner and life is feeling a bit less hectic.

indian-delights

Bleeding Madras – Inspiration from the past

I came across Bleeding Madras (Madras being the British colonial name for Chennai) during a visit to the Handicraft and Handloom Export Corporation (HHEC) in Chennai, where I had been invited to look through some of their vast fabric library which spans over 60 years! The fabrics they have collected cover many traditional print and weave techniques, IKAT, batik, tie & dye, jaquard and so much more. The library is dusty and dank, but who cares, I managed to spend over 5 hours there! The staff were really helpful and full of knowledge, which they were happy to share with me.

Bleeding madras was a type of woven fabric popular in the 1960s, it is no longer available today and the knowledge of the process has disappeared. It used dyes that were not colour-fast to colour the yarns; which were then woven into the traditional Madras check designs. The result was that the fabric changed colour over time, with the original colours fading and bleeding into one another. This bleeding, something which would be seen as a technical fault today, was what made the fabric so appealing, as the wearer would feel that they were getting a different look every time the shirt was laundered.

Designers of sustainable fashion are striving to find solutions to marry the irrevocable nature of clothing with the ever changing tides of fashion. It seems that this is exactly what they had over 50 years ago. A garment that changed and developed over time and became unique to the wearer, as everyone would wear and wash their clothes differently, creating a unique story of its life cycle, which reflected the life of its owner.

Temple art during the beautiful Wayanad monsoons

An abandoned Jain temple in Wayanad, Kerala, where we sheltered from the rain during a monsoon downpour while on a guided walk with the owner of the farm we were staying on. The carvings have been so well preserved, such a shame that it has become overgrown and unused, only the locals now know about it now. Their own bit of history.

Colourful Indian market life

Images taken at some of the various vegetable markets I’ve visited in India.

Festive Lights!